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Mystical texts and the visual arts have contributed immeasurably to shaping individual and collective conceptions of the spiritual in modern and postmodern culture. By integrating rigorous textual analysis with direct experiential practices, we will bring a multifaceted approach to bear on the relationship between aesthetic, intellectual and mystical creativity—that is, between the often conflicting domains of spiritual experience, intellectual analysis, and beauty—in order to gain insight into the ways in which these distinctive yet overlapping modalities of knowledge have integrally shaped developments in high culture, sacred practice and visual representation. Drawing on the combined methodological perspectives of Art History and Religious Studies, we will examine the ways in which the contemplative and experiential practices of museum viewing, ritual performances, trans-cultural encounter and focused reading and writing activities can all serve as powerful acts of human self-creation.

Many studies in humans suggest that altered temporal lobe functioning, especially functioning in the right temporal lobe, is involved in mystical and religious experiences. We investigated temporal lobe functioning in individuals who reported having transcendental "near-death experiences" during life-threatening events. These individuals were found to have more temporal lobe epileptiform electroencephalographic activity than control subjects and also reported significantly more temporal lobe epileptic symptoms. Contrary to predictions, epileptiform activity was nearly completely lateralized to the left hemisphere. The near-death experience was not associated with dysfunctional stress reactions such as dissociation, posttraumatic stress disorder, and substance abuse, but rather was associated with positive coping styles. Additional analyses revealed that near-death experiencers had altered sleep patterns, specifically, a shorter duration of sleep and delayed REM sleep relative to the control group. These results suggest that altered temporal lobe functioning may be involved in the near-death experience and that individuals who have had such experiences are physiologically distinct from the general population.
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<p>Abstract This article is an ethnography of the private performance of the five daily prayers of Islam among a group of middle class, educated women in Tehran. It goes beyond the public and formal spheres to explore religious experience in everyday life. What happens in a ritual when performed alone, without a public? I argue against the prevalent notion that repetition renders the formulas of rituals meaningless. Instead, over time, there is a proliferation of meanings emerging as a result of the undermining of the formality of the text by repetition. The ways in which creativity is exercised are analyzed in answer to the question of what makes one prayer session more satisfying than another—what is an efficacious salat? I argue that the length of time the prayers have been performed, the age of the reciter, and the literate practices of reading and debate are crucial in understanding how this ritual is brought to life by its practitioners.</p>
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<p>This new book, the fruit of a weeklong intermonastic dialogue held at New Camaldoli Hermitage in Big Sur, California, includes (in addition to Zen Buddhism &amp; Hinduism) the Chinese traditions of Taoism, Confucianism, &amp; Chan Buddhism.</p>
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<p>"An essential introduction to the philosophy and practice of the mystical tradition of Islam."--Cover.</p>
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<p>Sufi Meditation and Contemplation offers fresh translations of three classic Sufi texts from Mughal India: The Alms Bowl of Shaykh Kalimullah Shajehanabadi, The Compass of Truth by Dara Shikoh, and the Treatise on the Human Body attributed to Mu'in al-Din Chishti. These texts elucidate meditation practices and the resulting effects. All three come from the Mughal era in India, which witnessed a flowering of Sufism in innovative personalities, diverse mystical orders and bold literary expressions."Meditation is the way to instill the values in the heart, to such a depth that the heart itself is transformed. The heart then is not merely an organ in the body, and is not just on's own personal center; when properly activated through meditation, the heart opens up to reveal the very presence of God with one and with all. To find this state of loving intimacy is the advice of the Qur'an when it says, "So remember me, that I may remember you." And according to Sufi teachings, to meditate and contemplate is the way to draw God down to you and to allow yourself to be lifted up toward God." - from the foreword by Scott Kugle</p>
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<p>There are a great many books now available describing the complex rituals and esoteric significance of the ancient practices of Buddhist tantra. But none take the friendly, helpful approach of Geshe Tashi Tsering’s Foundation of Buddhist Thought series. Understanding the many questions Westerners have upon first encountering tantra’s colorful imagery and veiled language, Geshe Tsering gives straight talk about deities, initiations, mandalas, and the various stages of tantric development. He even goes through a simple tantric compassion practice written by the Dalai Lama, using it to unpack the building blocks common to all such visualization techniques. Tantra is a fitting conclusion to the folksy and practical wisdom in the Foundation of Buddhist Thought series.</p>

<p>Publisher description: As David White explains in the Introduction to Tantra in Practice, Tantra is an Asian body of beliefs and practices that seeks to channel the divine energy that grounds the universe, in creative and liberating ways. The subsequent chapters reflect the wide geographical and temporal scope of Tantra by examining thirty-six texts from China, India, Japan, Nepal, and Tibet, ranging from the seventh century to the present day, and representing the full range of Tantric experience--Buddhist, Hindu, Jain, and even Islamic. Each text has been chosen and translated, often for the first time, by an international expert in the field who also provides detailed background material. Students of Asian religions and general readers alike will find the book rich and informative. The book includes plays, transcribed interviews, poetry, parodies, inscriptions, instructional texts, scriptures, philosophical conjectures, dreams, and astronomical speculations, each text illustrating one of the diverse traditions and practices of Tantra. Thus, the nineteenth-century Indian Buddhist Garland of Gems, a series of songs, warns against the illusion of appearance by referring to bees, yogurt, and the fire of Malaya Mountain; while fourteenth-century Chinese Buddhist manuscripts detail how to prosper through the Seven Stars of the Northern Dipper by burning incense, making offerings to scriptures, and chanting incantations. In a transcribed conversation, a modern Hindu priest in Bengal candidly explains how he serves the black Goddess Kali and feeds temple skulls lentils, wine, or rice; a seventeenth-century Nepalese Hindu praise-poem hammered into the golden doors to the temple of the Goddess Taleju lists a king's faults and begs her forgiveness and grace. An introduction accompanies each text, identifying its period and genre, discussing the history and influence of the work, and identifying points of particular interest or difficulty. The first book to bring together texts from the entire range of Tantric phenomena, Tantra in Practice continues the Princeton Readings in Religions series. The breadth of work included, geographic areas spanned, and expert scholarship highlighting each piece serve to expand our understanding of what it means to practice Tantra.</p>

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