Publisher's description: This book teaches us how to fully connect with the visual richness of our ordinary, daily experience. Photography is not just a mechanical process; it requires learning how to see. As you develop your ability to look and see, you will open, more and more, to the natural inspiration of your surroundings. Filled with practical exercises, photographic assignments, and techniques for working with texture, light, and color, this book offers a system of training that draws on both Buddhist mindfulness practice and the insights of master photographers such as Alfred Stieglitz, Edward Weston, and Henri Cartier-Bresson.
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<p>Counselling psychology is increasingly curious regarding the benefits of mindfulness and meditation. This research explores the relationship between the clinical work of psychotherapists and their long-term Buddhist-informed meditation. This is an emerging and cross-cultural field. Thorne's (2008) interpretive description guided this exploratory qualitative study of the experiences of four registered psychologists. This study finds that meditation supports an unconditional, compassionate therapeutic stance that serves therapy through the development of the therapeutic relationship. Further, Buddhist-informed meditation appears to promote integrative functioning in the therapists and is related to integrated clinical decision-making. This study dips into areas of transpersonal and Buddhist psychology that require further culturally-sensitive investigation. Future directions for research are presented.</p>
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Spirituality is becoming an increasingly significant aspect of contemporary art education theory. The manner in which one conceives of holistic art education curricula is partially shaped by one's understanding of a more spiritual approach to reflective thinking and practice in teacher education. Definitions of reflective practice and spirituality, as they are interwoven in art, are provided. Focally, the results of research on artist/teachers and the manifestation of spiritual reflective practice are presented in conjunction with the implications of those research results for preservice art education.
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Translated by Agurme Dorje. Edited by Graham Coleman with Thupten Jinpa. Introductory Commentary by His Holiness The Dalai Lama
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<p>Creator's Description: Tibetan Buddhist lists and collections of Indian Great Seal (Phyag rgya chen po, Mahāmudrā) texts consist almost exclusively of works found in the Translation of Treatises (Bstan ’gyur). There are, however, two Translation of the Word (Bka’ ’gyur) texts that appear in a collection of Ten Dharmas of Mahāmudrā (Phyag rgya chen po’i chos bcu) transmitted by the eleventh-century Indian teacher Vajrapāṇi: the Noble Mahāyāna Sūtra Called “The Gnosis of the Moment of Passing Away” (’Phags pa ’da’ ka ye shes shes bya ba theg pa chen po’i mdo, Ārya-ātajñāna-nāma-mahāyāna-sūtra) and the Royal Tantra on the Glorious Unpolluted (Rgyud kyi rgyal po dpal rnyog pa med pa zhes bya ba, Śrī-anāvila-tantra-rāja). In exploring these two texts, rarely discussed by either Tibetan or Western scholarship, this article provides a translation and discussion of the Gnosis of the Moment of Passing Away (Ātajñāna, ’Da’ ka ye shes) and a synopsis and discussion of the Unpolluted (Anāvila, Rnyog pa med pa). It concludes that although neither text is an obvious choice for a Great Seal canon, each contains terminology and themes that are consonant with the Great Seal discourse of later Indian, as well as Tibetan, Buddhism, each appears to have been sufficiently prominent to come to the attention of Vajrapāṇi, and each can serve to provide the necessary authority of the word of the Buddha (Buddhavacana; Sangs rgyas kyi bka’) to lists of Indian Great Seal texts utilized by Tibetans.</p>
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