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<p>Although none of Chapa Chökyi Senggé's (phya pa chos kyi sengge, 1109-1169) works are known to have survived, this article attempts to piece together his theory on contraries ('gal ba) through a study of quotations and counter-arguments which appear in the work of Sakya Paṇḍita (sa skya paN+Di ta, 1182-1251) and subsequent commentaries. (Ben Deitle 2006-03-02)</p>
<p>A brief survey of four Tibetan texts dealing with the mixing of colors for painting. The texts were written by Deumar Geshé Tendzin Puntsok (de'u dmar dge bshes bstan 'dzin phun tshogs, 1725-?), Bodong Penchen Choklé Namgyel (bo dong pan chen phyogs las rnam rgyal, 1375-1451), Mipam Gyatso (mi pham rgya mtsho, 1846-1912), and Rongta Lozang Gyatso (rong tha blo bzang rgya mtsho, 1863-1917). (Ben Deitle 2006-05-04)</p>